portfolios & artist’s books |
| 2009 |
Rhizomes from the
text A Thousand Plateaus with map of Berkeley watershed |
| 2008 |
Between Cedar
& Vine accordion book and tarot deck, epson
printed |
| 2006 |
Women Nature & Time blueprint photographs on handmade papers, unique book |
| 2003-2005 |
In/Visible Cosmos pinhole and Sun-printed photograms on p.o.p paper, unique work |
| 2002 |
Between Cedar & Vine limited edition with text, hand-bound, 4 color Epson printed |
|
Walking in the City limited edition of gelatin-silver prints |
| 2001 |
Like an Onion unique book of vandyke brown silver-sun prints on torinoko gampi paper |
| 1998-2002 |
One Sun, One Apple, One Day unique series of vandyke brown silver-sun photograms |
| 1998-2000 |
Empty Bottles limited edition of gelatin-silver photograms |
| 1999 |
Leaves limited edition of Vandyke brown silver-sun prints on torinoko gampi paper |
| 1998 |
Between Cedar & Vine limited edition, text & image, xerox on vellum |
| 1997 |
Fleurs de
Nuit unique book of cyanotype photograms on kozo gasen
paper |
| 1997 |
Lantern Light unique book of Vandyke brown photograms on kizukishi paper |
| 1993 |
Egypt Limited edition
book of 20 gelatin-silver prints, coptically sewn over papyrus
boards |
books, articles, reviews and interviews |
| 2009 | Works & Conversations Issue No. 18 Portfolio pages 16-19 |
| 2008 | Orion Magazine November/December Issue. Cover Image |
| East Bay Express Nature Word: ...the world in an unworldly light by DeWitt Cheng Sept. 24 |
| San Francisco Chronicle Sunday Datebook Nature Word~Verbe Nature Sept. 14 page 47 |
| 2007 | The Generosity of Stars by Barbara Berman, Finishing Line Press, Kentucky 2007 |
| 2004 | Black & White Spotlight: Susannah Hays by Heather Snider, July/August issue, pages 102-105 |
| Parabola Web of Life Summer Vol. 29:1, Portfolio with Bahauddin text; pages 26-31 |
| Investigations & Icons: Arts and Science Curriculum Mary Faria, San Francisco State University |
| 2003 | Images of Earth & Spirit edited by J. Lane and S. Kumar, Green Books, Devon, England, p. 144-145 |
| Paper Works Quarterly Cyanotype: A Blueprint of Life by L. Young; Vol. 3:3 Spring, p. 4-8 |
| Pasatiempo June 13-19, Photo-Eye Gallery Cameraless Image review, Santa Fe, NM |
| Matrix Take me Home excerpts from Between Cedar & Vine, issue #64 Montreal Quebec |
| Artweek [re]Readings: Artists’ Books Now at Gallery Lux page 17 March vol. 34. Issue 2 |
| The Ampersand Book Arts Journal; Vol. 20; No. 3 & 4: Revealing the Mysteries page 23 |
| Resurgence Magazine Art & Science Interview, January/February Issue No. 216 Devon, England |
| 2002 | San Francisco Chronicle Neglected Victorian Garden Blooms Anew Sept. 7 pages E2-4 |
| Artweek Susannah Hays at Scott Nichols Gallery page 13-14; July/August vol. 33, Issue 6 |
| Interview Mary Faria Oct. 10 for MA Thesis in Art Education, SF State University |
| Parabola The Ego & the “ I ”—Vol. 27-1 February; pages 39 & 46-47 |
| U.C. Berkeley Townsend Center for the Humanities Everyday Constellations Jan. 22-Mar. 15 |
| 2001 | Parabola Light—Vol. 26-2—May; 2001 Portfolio: Visible Vessels pages 1 & 88-93 |
| Berkeley Science Review Journal: Feature Through the Looking Glass pages 24-31 |
| Parabola The Garden Vol. 26—Feb; Illustration, page 36 |
| 1999 | The Ampersand Book Arts Journal Susannah Hays Bookwork Vol. 17; No. 3 & 4 |
| 1997 | Journal of Artists’ Books Science Imagined Spring 1997; No. 7 |
| 1997 | Koobstra Coptic & Collage Spring 1997; Number 17 |
| 1994 | Hills Publications A Compelling Image of Egypt March 10, 1994; page 11 |
publications |
| 2009 | In/Visible Cosmos Monograph Susannah Hays (pending) essay Embodied Camera by John Rapko |
| 2007 | Zero In Zero Out catalog of San Francisco Art Institute Artist’s Bookwork |
| 2003 | Generative Art International Conference In/Visible Cosmos Politecnico di Milano University |
| 2002 | Between Cedar & Vine Masters Thesis in Design, Visual Studies, College of Environmental Design |
| 1999 | 5FR 18· The Neighborhood: Cadence of the Numerous Between Cedar & Vine |
| 1996 | Science Imagined Berkeley Art Center, Foreword Essay on Art & Science in the Artist’s Book |
